EPK – Art of Attrition – â…And It Will All End Foreverâ (2024)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
â ⦠AND IT WILL ALL END FOREVER is going to be fun. This new territory is an amalgamation of all the music we have heard and been inspired by in the past couple of years. So many ideas had been channeling through, that it was necessary to create something unique for us while still maintaining our roots. Adding more beautiful cleans, soft choirs, haunting solos, catchy chorusâ and more emotive sections in our song structure. We present a record that you can listen to from front to back and can be easily repeated. Every time you repeat, you find more in the songs, another layer. We love this record and are super proud of it.” – Art of Attrition
For fans of Lorna Shore, Aversions Crown, Gaerea, Dimmu Borgir, Archspire
Artofattrition.com | Facebook.com/ArtofAttrition | Youtube.com/@artofattritionband | Instagram.com/artofattrition
Artofattrition.bandcamp.com | Apple Music | Spotify
EP Pre-order – https://distrokid.com/hyperfollow/artofattrition/and-it-will-all-end-forever
[Download EP Cover | Download EP Lyrics]
EP Title: â¦And It Will All End Forever
Release Date: July 26, 2024
Label: Self-Release
Distribution: Distrokid
Track Listing:
1. Drowned in Fog (4:38)
2. Vitriol (5:11)
3. Â Emaciate (4:51)
4.  â¦And It Will All End Forever (5:43)
EP Recording Credits:
⢠All songs performed by: Art of Attrition
⢠All songs written by: Art of Attrition
⢠Produced by: Art of Attrition
⢠Mixed by: Kimera Recordings
⢠Mastered by: Kimera Recordings
⢠EP Artwork by: Mark Erskine of Erskine Design
⢠Canadian Content (MAPL)
Album and Live Band Line Up:
Jack Sutherland: Guitars, Synths, Bass, Orchestrations, Samples
Johnny VanderRoest: Guitars
Joshua Hahn: Vocals
Greg Smith: Drums
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– All our artworks are painted. A being is sitting, hands cut off, and blood running down the arms to the ground. The being is swallowed by the earth. The colour concept is moody cool tone pastels, dark blues and greens which match our first album colour scheme and a contrast of red.
Empty, no one to help, no one to care. The raw emotion of helplessness and being consumed by the cold, steel environment.
Its official description is âDespairâ
About the album as a whole (LYRICALLY & MUSICALLY):
ââ¦and it all will end foreverâ is a head-first dive into self-introspection. Each track is not only an acknowledgement of the existence of inner struggle, but a confrontation. An open-ended internal dialogue, within itself. The album is a metaphorical checkpoint on the steep and winding journey that is self-discovery. ââ¦and it will all end foreverâ endeavours to facilitate a starkly honest sense of self-accountability.
As a whole, the album is musically: Fast, Technical, Haunting, Groovy, Brutal, Melodic, Emotional, Ethereal, Atmospheric, Eerie, Bludgeoning, and Chaotic.
Track by Track (LYRICALLY & MUSICALLY):
Drowned in Fog Musically: Is MUSICALLY brutal. It was written with speed and intensity in mind. It is an extreme and fast song that offers a lot of emotions such as anger and anxiety. The guitars are driving, the drums are fast while maintaining technicality and it also showcases a lot of groove. By the way, it ends with the heaviest breakdown weâve ever done!
Drowned in Fog Lyrically: âDrown in Fogâ is a song about trying to understand the reasons behind substance use as a means of coping. Whether or not the effects of a substance are worse than the feelings they are helping to mask, can be a very difficult question to ask.
However, in chemically soothing these lower emotions, we often inadvertently rob ourselves of natural highs. Pain and suffering bring healthy balance to our existence. Without a frame of reference, we trudge leniently through the fog.
Vitriol Musically: is MUSICALLY technical and epic. It starts with a melodic intro that is reflective of the first verse riff and gives an eerie rising effect. It is fast and technically proficient. It has a very epic chorus haunting and catchy! Throughout the track youâll experience speed, emotion, groove and sway. This one showcases the definition of our newly found ebb and flow structure.
Vitriol Lyrically: If left unchecked, anger tends to fester over time.
Vitriol is an introspective foray into the worthiness of allowing space for such feelings and actions, into one’s own life. It is a delicate subject, and we cannot be too hard on ourselves for succumbing to the allure of vengeful thought. Life can be difficult, and we are not always dealt a fair hand. However, it is important to note that in hurting others, we are often hurting ourselves. Regardless of how redeeming it may feel to be enacting a supposedly necessary retaliation. Such is the irony of Vitriol.
Emaciate Musically: is MUSICALLY very intense, driving and emotional. It was derived from the classic black metal feel and given the AOA treatment. Bludgeoning, catchy, technical, groovy. Emaciate is one of the most emotional and intense songs weâve ever written. It features a very creative drum part that is almost impossible to play.
Emaciate Lyrically: It hurts to wither, emotionally. âEmaciateâ is a metaphorical description of the feeling of watching oneself become increasingly jaded.
However, there are always more sunny days ahead. There is always an opportunity to burn it all down and take your life back.
â¦And it will all end forever is musically: is MUSICALLY our most juxtaposed song. Itâs up and down, and up and down. In the middle you will hear our most brutal and disgusting breakdown yet, then right back into beauty and emotion. The solo is hauntingly memorable, and the ending gives you a heroic feeling as the song climaxes and burns out.
â¦And it will all end forever lyrically: Every material has a breaking point. We as humans, are no exception. We too, have an elastic limit. Pushed far enough, we may break.
â…And It Will All End Foreverâ is an acknowledgement of a collision with the breaking point. A sublime release of pent-up emotions, held hostage by a patient tongue. The dam has broken, and a surrender has been made. Hate-free and loveless, in true neutrality.
Pride, gumption, and fortitude. Swept away.
1. Â Jack learned all the orchestration, samples, tracking, and extra sounds in order to get them in our album and our live set. He worked extremely hard to make his vision come to life.
2. Â Fun Fact: Greg played two back-to-back sets on the sola pravitas tour and was burning up to 1400 calories a night. He played for 30 minutes with Art of Attrition and then 1 hour with Plaguebringer. Greg is also one of the few drummers who can do crazy left-handed gravity blasts while doing blazing-fast kicks.
3. Â On our way to play Windsor, Ontario, the alternator went in the van. The boys pulled over and Jack and Johnny did an alternator swap right in the Canadian Tire parking lot.
4. Â We did a straight shot drive from Gatineau to Saskatoon.
5. Â Loud as Hell was a last-minute decision. Geoff was in a pinch and needed a support band for the night and we made it happen. One of our most memorable live performances: https://youtu.be/cXyo7gZQIb8? si=cE3RUyEyJjrzCulV
6. STORY: FORT TEMETOPE(The name us and Plaguebringer came up with) was an air bnb we stayed at in Winnipeg. The pictures showed this beautifully, well-kept home. It was not. The owner was a master photoshopper who obviously specialized in bait n switch techniques. The yard was un-kept, a musky smell in the home, followed by mold in the bathrooms, AND a used condom under one of the beds. Tired and completely disturbed we ended up staying the night until 8am in which a âair bnb representativeâ showed up to investigate. AKA THE OWNER. We also didnât get a full refund for the place which was infuriating.The nickname of the tour will be forever known as the âTemitope tour of terrorâ.
L-R – Johnny VanderRoest (Guitars), Joshua Hahn (Vocals), Jack Sutherland (Guitars), Greg Smith (Drums)
Photo Credit – Abscene Productions
Art of Attrition is a blackened technical deathcore band who separated themselves from the underground local scene with their 8-string barrage of dueling melodic guitars, gravity blast beats, intense guttural vocals, and epic orchestration.Â
Formed in early 2019, AOA wasted no time writing what would be their debut full-length album âThe Void Eternalâ. They released three singles and a music video in promotion of their debut record. âThe Void Eternalâ was released on September 22nd 2022 independently and was very well received by the genreâs fans and the metal community across the world. During the making of this record, Diego Fernandez of Oracle Studios provided drum recording and the mix and master of the entire album while all guitars, bass, orchestration and vocals were captured at home by the respective members.
Influenced by such powerhouses as Aversions Crown, Lorna Shore, Dimmu Borgir and Archspire; AOA defined their sound as the epic, melodic, fast and intense experience as demonstrated on their first record.
With multiple shows, festival appearances and a Canadian tour under their belt, AOA continues to demonstrate their talents and brutality live with the endearing hunger for more.
This year they are releasing their new EP â…And It Will All End Foreverâ on July 26, 2024. and it is pure chaotic inoculation. A culmination of everything AoA has worked so hard to achieve in one record. Now, they are set to write a bit out of their comfort zone and delve into other genres that they love. The EP is recommended for fans of Lorna Shore, Aversions Crown, and Gaerea.
Discography:
2024 – â¦And It Will All End Forever – EP
2023 – The Void Eternal – LP
Shared Stage with: The Hallowed Catharsis, Truent, Widows Peak, Raising the ruins, Fall of Earth, Glocktopus, The Myopia Condition, All Else Fails, Mares of Thrace, The Weir, Genizah, Plaguebringer, Vaegon, All Was Lost, Sol Runner, Retrofuturist, Pythonic, Spare the Dying
Tours and Festivals:
2023 – Loud as Hell Fest – Drumheller, AB
2023 – Sola Pravitas Canadian Tour (June 15 – July 01)
